When searching for opportunities in my artistic practice, I primarily think globally and regularly apply to open calls worldwide. However, I now limit my applications to Europe and nearby countries due to practical concerns such as the cost of delivering artworks and language barriers in communication. While I aspire to apply for open calls in places like New York, I am mindful of the high costs associated with shipping works or attending events in person. This balance between global ambitions and local practicality defines much of my approach.
My search for opportunities is deeply rooted in an ongoing commitment to research. I explore open calls online, regularly watch workshops on YouTube, and listen to art podcasts on Spotify. These platforms not only keep me informed but also help me discover new artists and ideas. For instance, if I come across a compelling performance or visual work, I make it a point to research the artist’s practice further. Platforms like Instagram and Pinterest are also essential tools for me. Pinterest, in particular, is invaluable as an image-oriented platform where I’ve discovered intriguing objects and artists that have inspired further exploration.
I maintain a connection to the local art scene in Russia, despite not having been there for several years. I’m especially interested in how artists navigate propaganda and censorship in a closed society. Many artists create works with layered, double meanings that subtly challenge the system, and I find this form of resistance through art profoundly inspiring. At the same time, I analyse the local context where I currently reside, looking for opportunities to integrate myself into the art community.
This year, for example, I became a member of the BBK (Bundesverband Bildender Künstlerinnen und Künstler in Saarland, Germany), a local art association that provides valuable connections and resources. Through BBK, I receive notifications about exhibition openings and local open calls. I am planning to participate in an exhibition later this year for new members of the association, which I see as an important step toward building my presence in the local art scene. I am also delving into ceramics and have been researching local workshops and artists working in this medium. I plan to connect with them as part of expanding my practice and exploring new materials.
While I strive to integrate myself into the local art community, I notice significant differences between local and international art scenes. My previous experiences often draw me toward the international level, where I find broader perspectives and a wider range of dialogue. That said, I actively seek out smaller local opportunities. For example, I am currently preparing a series of engaging art history lectures for my local community. These lectures are designed to make art accessible and interesting to a wider audience.
Another local project I’m working on involves curating exhibitions in a restaurant.
Sketches of a future exhibition and ideas for improving interior
My idea is to collaborate with local artists, rotate the artworks every three months, and organize small presentations or artist talks to accompany the exhibitions. I envision incorporating brief, 15-minute lectures to help the audience better understand contemporary art. While this project is exciting, it also requires careful planning, including considerations like artwork insurance, framing, positioning within the restaurant, and audience engagement. Despite these challenges, I find these local initiatives rewarding as they allow me to experiment, connect with new audiences, and contribute to the local cultural landscape while maintaining my global outlook.
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