Perhaps here is presented not the most successful work, but in the process of combining the cord and plaster moulds, I realized that one thing repeats the other.
In other words, the oval shape of the gypsum follows the cable line in its movement. The large mould, compressed by the rope during casting, is now compressed by the white line of the cord.
This piece of art for me has become not only a mental work but also a physical understanding of sculpture. Unravelling the cord, I worked with my whole body, lifting it, stretching it. The art pieces seem to be delicate and vulnerable compared to this cumbersome and heavy cord.
Natural colours of plaster and plastic cord combined the whole composition.
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