Simple reflection on the spring.
I was seeing lines everywhere in branches of trees, in dry grass, in the roots of trees, in architecture, in power lines, in silhouettes of night cities, in Google maps, in books on shelves, in people on stage, fences, even in the structure of meteorites (which for me was a sincere surprise). And there are even more pure lines in our world - lightning, snowflake, human tissue fibers, tree leaves, crystals, butterfly wings, rainbows, cobwebs, and more.
Colour is not constant as it changes from the light and other factors. The form can exist independently and colour not, but form can’t be without colour. (Kandinsky, 2018, p.50) Kandinsky was discussing that form can reflect the time and personality of the artist and logically colour also will change with time. Point and Line were as a beginning of depiction and especially on the flat surface.
If we separate form, colour, point and line – how it can look like? I’m trying to look through the form, colour and separate first the lines.
This brought me to work in my garden. The line can represent a three-dimensional form separately from the original object. But isn’t it human interpretation for our convenience – for rational approach and mathematical explanation?
Barnard's Star [Online] Available from: https://www.space.com/41908-watch-stars-drift-with-mobile-apps.html [Accessed 29/03/19]
How lines can live without flat surfaces? How they change with a day light and during the night?
Project 1
Project 2
Bibliography and references
1. Василий Кандинский, Точка и линия на плоскости; О духовном в искусстве. Издательство АСТ, Москва 2018 год.
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