“You have been ambitious and delved into the projects with many alternative outcomes. You are making more narratives within your work now and this shows a development of a personal voice. Your work through installations and sculptural arrangements work more than 2D work. There themes of religion, viewing and symbolism in materiality are ones to take forward.” (OCA Tutor)
«Your relationship to making within a space comes through but question your performativity as well. Your video on the development is very exciting because of the snippets of footage with sound. This is work in itself! It is clear that synaesthesia comes through in your work. The 3 panels themselves are sophisticated and executed with coherence. However, what is missing is the placement of the panels.» (OCA Tutor)
In fact, I already thought about the importance of the creation process itself, and social media explained this to me. I will talk about this later in part 3.
The presentation of the piece itself also makes me think about what the audience will see as a result. Post on Instagram or ones I will have a chance to demonstrate my works in life.
“Your CR on synaesthesia can works well. It would be good to see a daft of this next time.” (OCA Tutor)
Yes.
«Your PP introduction identifies your commitment to art. Is this going to be embedded into the project? Can you see yourself as the art tool and your studio space as a spiritual space to make the work?”(OCA Tutor)
It is not entirely true. Yes, my studio is my world, but if I am in another place tomorrow, my world will be different. It does not mean that I am attached to this place energetically and emotionally. Once I had to stop 7 years of attachment to something. And nothing physical remained of this. So I realized that only my inner fulfilment matters. Of course, everything remains in me, all emotions, experiences, good and bad relative to this period. But here, even the physical is not quite necessary. The beauty of this moment is how it is in my body as an experience. And then I think about Marina Abramovich. The medium is emotion. So what I want to say is, I don’t want to get attached to a place or an event. I am interested in the essence and the situation in general.
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