In my artistic practice, I've been exploring the transformation of newspapers into colourful compositions, echoing Mark Rothko's colour field works.
Tonal Dichotomy, 2024, recycled newspapers, acrylic, water-based fixatives on metal grid, wood, 104 x 174 x 10 cm.
and the reverse side of the work:
Recently, I've expanded my repertoire to include found materials like debris, wooden sticks, metal grids, canvases, etc. which I meticulously rework and integrate into my sculptures and wall-mounted pieces.
These materials, treated with care and love, add depth and texture to my artworks, inviting tactile and visual exploration.
My emphasis on the quality of colour and the meticulous treatment of materials reflects an exploration of aesthetics and values in contemporary art.
My focus on the quality of colour and the sensory experience aligns with my research interest in synesthetic expression and unconventional materiality in art. I'm fascinated by how colours and textures can evoke emotional responses and challenge traditional notions of authenticity and originality.
Additionally, I've been experimenting with spatial and temporal perspectives in my artworks, incorporating the nine-sixth perspective to create fluid and dynamic compositions. This exploration of spatiality and temporality mirrors my research's inquiry into the fluidity of art objects and the reimagining of attention and impact in post-conflict visual culture.
Moreover, I'm mindful of the digital representation of my work, recognizing social media as a primary platform for sharing and engaging with audiences. I often integrate digital elements into my pieces, sometimes collaborating with artificial intelligence to explore the nuances of post-internet art. This intersection of digital and physical realms allows me to delve into the complexities of contemporary artistic practice and the evolving nature of art in the digital age.
In addition to my studio practice, I'm drawn to the emotional engagement of viewers, seeking to evoke cathartic experiences through my artworks.
Inspired by Joan Mitchell's expressive brushwork, I reinterpret her works with my own approaches, infusing them with unconventional materials and public art influences.
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