From early childhood, emotional events, music, smells, tastes, or even people were characterized not by one sense but several. My sensations emanating from one sense organ are also manifested in another, for example, seeing music or pain in colour, or feeling the shape of cold. It is called synaesthesia.
I contrast sculpture to painting, abstract to realism, paper for drawing to canvas for painting, the action of making to statistics of a ready object, spiritual to physical. In this way, the works are perceived not from one sense but in the co-existence of different elements. It is not a sculpture or a painting, it is a mixture of the mediums that intend to stimulate complex emotion and experience.
My works are tactile, extremely honest, bold, simple and complex at the same time. I let the material develop as it is. Chance can affect the final result. Time, gravity, temperature - everything is involved in creation. I use vibrant colours and let the unconventional materials reveal themselves, to challenge the viewers' perception of physical objects, the common use of household items, to question the overall experience of the world around us.
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